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Jill Levine

b. New York, NY


For many years I have explored the territory between painting and sculpture. The sculptures hang on the wall. They are built from pre-cut Styrofoam shapes that are tooth picked together, eventually glued into place and covered with rigid wrap and modeling compound. The image is drawn, sometimes projected and painted with oil paint.


For years, the sculptures always had a human scale, kind of a half torso size, but my work has always had a playful side and the idea of symmetry pushed me towards sculptures that were more of a hybrid between the animal/human worlds. Over the years the forms have morphed from built up globular, exploding structures to a simpler format. The current work is comprised of symmetrical shapes that take on a more totemic feeling. I have been travelling to Mexico for the past twenty years and have incorporated my interest in Pre -Columbian art into the work. 


These sculptures reference images from Mexican codices, as well as ceramics and sculpture from various sites. The sources for color that warps and weaves across the forms are often found in serapes. Drawing is laid over the horizontal bands creating multiple visual layers. For example in “Frazada”, a lacey Day of the Dead image painted in black lies on top of bands of vibrant color. Other sculptures reference insects, animals or the death god, Mictlantecuhtli. Although the sculptures seem to belong to a common clan they maintain their individuality.


MFA Yale University, School of Art, New Haven, CT, 1977

Royal College of Art, London, 1976

BA Queens College, New York, NY, 1975



Changing Planes, High Noon, New York, NY



Intersect Palm Springs (with Rafael Plaisant), High Noon, Palm Springs, CA



NOW, High Noon Gallery, New York, NY


Can U Dig It? (with Colin Thomson), High Noon Gallery, New York, NY


Jill Levine, Wall DrawingsHionas Gallery, New York, NY



Jill Levine, Cats Talk, Hionas Gallery, New York, NY


Gravity's Elbow (with Theresa Hackett), the George Gallery, Laguna Beach, CA


South of the BorderP.P.O.W, New York, NY


P·P·O·W, New York, NY

Bernard Toale Fine Arts, Boston, MA


Fine Silver Gallery, San Antonio, TX



Mid Career Survey show, Art Inc. New York, NY



P·P·O·W, New York, NY



Esso Gallery, New York, NY

Conversation #2, with Susan Wanklyn, Art Inc., New York, NY



Project SpaceJose Freire Fine Art, New York, NY


1992, 1990

fiction/nonfiction, New York, NY



Real Art Ways, with Ian Harvey, Hartford, CT

fiction/nonfiction, New York, NY


1988, 1987

fiction/nonfiction, New York, NY



"Ten," Hionas Gallery, New York, NY



NEO GEO NOW, curated by Ylise Kessler, Webster Collection and Ylise Kessler Fine Art, Santa Fe, NM



Languages of the Heart, curated by Colin Thomson and Lindsay Walt, John Molloy Gallery, NY, NY with catalogue



The Painted Desert Part II, curated by Jared Linge, High Noon Gallery, NY, NY

The Painted Desert Part I, curated by Jared Linge, High Noon Gallery, NY, NY

The Interaction of Colour, curated by Virginia Walsh, Ann Street Gallery, Newburgh, NY


Drawing for Sculpture, curated by Courtney Puckett, TSA Gallery, Brooklyn, NY

Voyage of the Beagle, curated by Peggy Cyphers, Radiator Gallery, LIC, NY

Sensing Place, Chris Davison Gallery, Newburgh, NY

Ways and Means, curated by Jason Andrew, 1285 Avenue of the Americas Art Gallery, New York, NY



#TBT, Hionas Gallery, NY, NY

Twofold: Artist-Teacher, Teacher-Artist (catalogue), curated by Cecile Chong, Dedalus Foundation, Industry City, Brooklyn, NY

Ulterior Motif, curated by Naomi Cohn, The Painting Center, New York, NY



Flux/Quirk, The George Gallery, Laguna Beach, CA



Pillow Talk, Ille Arts, Amagansett, NY

Between the Two: Six Artists from NY, the George Gallery, Laguna Beach, CA



Make Yourself at Home, 7eleven Gallery, New York, NY

Fifty Works for Fifty States, The Dorothy and Herbert Vogel Collection, the Milwaukee Art Museum, Milwaukee, WI

Drawn to New York, Bertha V.B. Lederer Gallery, SUNY Geneseo, NY



Mary’s Choice, 303 Gallery, New York, NY


Two Friends and So On, Andrew Kreps, New York, NY


Conceptual Realism, Rotunda Gallery, Brooklyn, NY



Port Louis Art In Embassies Program, Port Louis, Mauritius



She Lives on Love Street, Cheryl Pelavin Fine Art, New York, NY

Expanding Tradition: Contemporary Works Influenced by Indian Miniatures, Deutsche Bank, New York, NY


Snapshot, Contemporary Museum, Baltimore, MD

Paintland, Schmidt Contemporary Art Center, Los Angeles, CA

Paintland, Lemon Sky, A Project Space, Los Angeles, CA


Women Artists in the Vogel Collection, Brenau University, Gainesville, GA



Sculpture, James Graham and Sons, New York, NY

New Gallery Artists, Lemberg Gallery, Birmingham, MI 

Across Lines, curated by Dan Devine, Rosenberg Gallery, Hofstra University, New York, NY



Thing, Deven Golden Fine Art, New York, NY

Art Exchange, Esso Gallery, New York, NY

A.R.T., Gramercy Park Hotel, New York, NY

Incestuous, curated by Carter Kustera, Thread Waxing Space, New York, NY


Delving and Tinkering, curated by Tom Butler, E.S. Vandam, New York, NY



Legend in My Living Room, curated by Terry Myers, Rhona Hoffman Gallery, Chicago, IL

Hybrid Sculpture: New Direction in Contemporary Sculpture, Art Finds, Marsha Fogel Gallery, East Hampton, New York, NY

Inaugural Exhibition, Tennisport Arts, Long Island City, NY


Play Between Fear and Desire, curated by Jennifer Gross, Germans Van Eyck, New York, NY


Gallery Group Exhibition: The Second One, fiction/nonfiction, New York, NY

Object/Subject: Sculpture/Installation, Paul Cava Gallery, Philadelphia, PA



Gallery Group Exhibition: The First One, fiction/nonfiction, New York, NY



Strange Attractors: Signs of Chaos, curated by Laura Trippi, The New Museum of Contemporary Art, N.Y 

fiction/nonfiction, New York, NY


Wreaths, Arsenal Gallery, New York, NY

Sculpture 1988: A Salon of Small Scale Work, White Columns, New York, NY

John Davis Gallery, New York, NY

The Summer Exhibition 1988: 22 Artists, Michael Walls Gallery, New York, NY

Sculpture: On the Wall and on the Floor, curated by Jane Rosen, Katzen/Brown Gallery, New York, NY



Sculpture Center, New York, NY

The Level Volume, curated by Judy Pfaff, Carl Solway Gallery, Cincinnati, OH

Contemplating Things, A sculpture Show in Two Parts, fiction/nonfiction, NY

Queens College Alumni Show, New York, NY

Tower Gallery, New York, NY

Equilateral, Six to Six Gallery, New York, NY



Not For Sale, Six to Six Gallery, New York, NY

Transformations, Richard Green Gallery, New York, NY

Indoors/Outdoors, El Bohio, New York, NY

Wrap-Up, Six to Six Gallery, New York, NY



The Mystery Show, The Jersey City Museum, Jersey City, NJ

On Relief, Washington Square East Galleries, New York, NY



Exhibition One, Madeline Carter Fine Arts, Brookline, MA



CAPS Fellowship Exhibit, Henry Street Settlement, New York, NY



Artists of the Eighties, Webb Parsons Gallery, New Canaan, CT



Bates College, Lewiston, ME



Seven Springs, Bedford, NY


The Metropolitan Museum of Art
The Vogel Collection at the National Gallery of Art
Colorado Springs Fine Art Center
The University of Michigan Museum of Fine Art, Ann Arbor
Plains Art Museum, Fargo, North Dakota
Akron Art Museum, Ohio
Oklahoma City Museum of Art
Portland Art Museum, Oregon
Pennsylvania Academy of Fine Arts, Philadelphia, Pa.
Museum of Art, Rhode Island School of Design, Providence
Columbia Museum of Art, South Carolina
South Dakota Art Museum, South Dakota State University, Brookings
Memphis Brooks Museum of Art, Tennessee
Nora Eccles Harrison Museum of Art, Utah State University, Logan
Robert Hull Fleming Museum, University of Vermont, Burlington
Virginia Museum of Fine Arts, Richmond
Huntington Museum of Fine Art, West Virginia
Milwaukee Art Museum, Wisconsin
The Dupont Corporation
Prudential Insurance Company of America
The Edwards Collection
The Oliver-Hoffman Collection
The Peter Norton Collection
PAFA, Philadelphia, PA




Paul Laster, Whitehot Magazine, "25 Art and Design Picks from Intersect Chicago," November 2020

Michael Abatemarco, The Santa Fe New Mexican, Pasatiempo, "NEO GEO NOW”, Webster Collection & Ylise Kessler Fine Art, Santa Fe, NM, February 2020

Susan Wanklyn, Two Coats of Paint, "Studio visit with Jill Levine," November 16, 2019

I Art New York, "Episode 12: Interview with Jared Linge and Jill Levine" produced by Izabela Gola and Rebecca Major, November 13, 2019

Fisher, Michelle, Artnews, review, "Cats Talk", Hionas Gallery, New York, NY, July 2014

Waltemath, Joan, the Brooklyn Rail, Web Exclusive, review, "Mutable and Immutable Divides", "Cats Talk", Hionas Gallery, New York, NY, 2014

Walsh, Daniella, ArtScene, Review, "Gravity's Elbow," Theresa Hackett and Jill Levine, The George Gallery, Laguna Beach, CA, January 2013

The Herb and Dorothy Vogel Collection, "Fifty Works for Fifty States," p. 210 & 236, 2008

Naves, Mario, The New York Observer, June 17,2007

The Flag Project, Rubin Museum of Art, Book, pp. 114 & 182, 2007

Berwick, Carly, Review, ARTnews, October 2003 

Amy, Michael, Review, Art in America, October 2003

Review. The New Yorker, p. 50, June 16 & 23, 2003

Naves, Mario, “Loop – the – Loop, Hindu Style, Archives Cluttered Equilibrium”, The New York Observer, p. 16, June 23, 2001

Carter, Holland, Review. The New York Times, p. E33. May 4, 2001

Freeman, David McCall. Voices of Art, (9:1), p. 6-7, cover. February-May, 2001

Naves, Mario. The New York Observer, p. 24. December 18, 2000

Johnson, Ken, The New York Times, Fine Arts, Leisure, p. E44. Dec. 8, 2000

Jim, Ruth. Guggenheim Sculpture Freedom, Sunday News, pp H1 & H8, Lancaster, PA, 2000

Princenthal, Nancy. Review, Art in America, pp. 140-141. November 1999

Myers, Terry R. Review, Art/Text, pp. 92-93. August-October 1999

Arning, Bill. Review, Time Out New York, p. 55. March 4-11, 1999

Glueck, Grace. The New York Times, p. E42. February 26, 1999

Glueck, Grace. Review, The New York Times, February 19. 1999

Kimmelman, Michael. Review, "Sculpture," The New York Times, Aug. 8. 1997

Drucker, Johanna. "Things and Objecthood," Sculpture, Vol. 16, No. 4, pp. 20 -23, reproduction. April, 1997

Bell, J. Bower. Review, Art, p. 13. October 15, 1996

Patner, Andrew. Review, "Legend in My Living Room," New Art Examiner, April 1994

Braff, Phyllis. Review, "Hybrid Sculpture," The New York Times, June 13, 1993

Bass, Ruth. Review, ARTnews, p.143, reproduction. November 1992

Myers, Terry. Review, Tema Celeste, p. 95, reproduction. Autumn, 1992

Hagen, Charles. Review, "Play Between Fear and Desire," The New York Times, May 8, 1992

Myers, Terry. "Abstraction Gets A Life," Tema Celeste, Summer. 1992

Sozanski, Edward, J. Review, The Philadelphia Inquirer, p. 3C, July, 4, 1991

Jones, Mary. Review, " Marilyn Lerner/Jill Levine," Arts Magazine, p. 82, reproduction. 1991

Myers, Terry. Review "Chaos Exhibition," Flash Art, pp.137-8. Nov./Dec. 1989 

Johnson, Ken. Review, Art in America, p. 212, reproduction. October 1989

Catalogue, Strange Attractors: Signs of Chaos, curated by Laura Trippi, The New Museum of Contemporary Art, New York, NY, 1989

Cyphers, Peggy. Review, Arts Magazine, September, p. 100, 1989

Hirsh, David. "Summer Thrills for Humid Heat," The New York Native, p. 30. July, 24, 1989

Kalina, Richard. Catalogue, fiction/nonfiction, New York, reproductions. 1989

Schwedenwein, Jude. Review, "Real Art Ways," The Hartford Current, p. G8, reproduction. March 12, 1989

Raynor, Vivien. "Jersey City Mystery Show," The New York Times, p. 24, 1985

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